As a frequent visitor to the Edinburgh Military Tattoo over the years, our family has got into something of a routine in planning our trips to this amazing spectacle, so when asked for some advice about where to park if coming to the tattoo from out of town, I realised that our experiences probably had enough ‘old timers’ knowledge in them to merit a little article on how we do it.
An Edinburgh August: it’s a great month to experience the city, where there will be lots going on to keep everyone in the family entertained. Read more
We’ve been anticipating the arrival of Brave, the new Disney Pixar animated film, since earlier this year. Tomorrow evening, it’s the European Premiere as the closing event of the Edinburgh International Film Festival.
Since we heard that Visit Scotland was encouraging Scottish Tourism businesses to find ways to create a tie-in with the film, we’ve been wondering how best to achieve this from our base as a holiday cottage in the middle of Edinburgh. Aside from donning a Merida wig and offering our visitors a warm welcome when they arrive, what should we do?
Last week at the Royal Highland Show we noticed that Bartlett’s foods were offering an opportunity to visitors to their stand to try their hand at some target practice with toy crossbows and longbows, and our son was eager to have a try.
We’re heading to the premiere tomorrow night to find out what its all about – maybe this will spark some ideas for a tie-in. In the meantime, the film goes on general release here on 3 August 2012 (revised date). As Craigwell Cottage is just a short walk from the Edinburgh OMNI Centre our guests will be able to stroll over there to see it.
PS – we really enjoyed the film!
Our 2edinburgh blog is designed to give a flavour for things to do and places to go when visiting Craigwell Cottage, our little city centre cottage (with parking) right in the heart of the city of Edinburgh.
We occasionally review special events and happenings in Edinburgh, but as a family we’re not able to cover a vast range of different types of event, preferring to focus on little news items about permanent attractions or events which are annual occurrences in the Edinburgh calendar.
This year, our family was given the opportunity to undertake a very special assignment – that of guest reviewers at some Festival Fringe performances on behalf of the review site Edinburgh Spotlight. We were very excited to be asked, and as soon as the Fringe Programme was issued we pored over it working out and planning which shows we would ask to review, and fitting reviews in as best we could with other holiday activities we had planned.
As first time reviewers we really had no idea what we were letting ourselves in for, but the owners of Edinburgh Spotlight were very helpful and patient with us, explaining what would be required. We also opted to go to some shows simply as ‘the audience’ so that we could relax and enjoy them without having to exercise our critical faculties.
Our first reviews of CBBC’s Dan and Jeff in Potted Panto, and the West End Glee Club have now been published, and you can find our other reviews by following the links below We hope you enjoy sharing our experiences.
The Edinburgh International Film Festival is now firmly established in the calendar as taking place in mid-June each year. Films are screened in many venues throughout the city, with the focus being on The Filmhouse, but this year the Edinburgh Festival Theatre was the venue for the opening event. A red carpet event earlier in the evening set the scene, but for the general public, the first event of the 2010 Festival was a screening of The Illusionist, an animation directed by Sylvain Chomet.
I had read a preview of the movie, and as the centre piece of the movie is the City of Edinburgh itself, I was eager to go along to see how my home city had been depicted.
I shall leave film critics and reviewers to the technical details and simply say that I loved it. I shall want to see it many times over to catch little details I have missed, and I’m sure that the stills from the film will become popular motifs gracing postcards of the city and used to advertise Scotland as a destination. That sounds like I am belittling them, and this is not the case – they are rich in detail and beautifully drawn, but the nature of animation lends itself to use in that way. I shall buy the DVD as soon as it is released and put it in Craigwell Cottage for my guests.
This evening as I returned home after the event, I was seeing Edinburgh through different eyes, and I thank M. Chomet for opening up new vistas for me. I wonder when the big curly lampposts disappeared from Princes Street? I caught glimpses of them in the movie and was transported to the Edinburgh of my childhood. It even made me nostalgic for the Jenners of old – in the days when it was an independent Edinburgh institution.
If you’re thinking about attending the Edinburgh International Film Festival in future years, be sure to take a look at Craigwell Cottage to see if we might suit your requirements for accommodation. We’re within walking distance of The Festival Theatre, and at the opposite end of the city centre from The Filmhouse.
I must confess to having had ‘Fringe Fatigue’ last year (sorry!), and having spent a week of August out of Edinburgh just to escape the hustle and bustle, and because it was a ‘last summer’ for a chapter of our family’s life story (but that’s an entirely different tale).
June 12th saw the launch of the 2010 Edinburgh Festival Fringe programme, and my enthusiasm has returned. In all the rushing about I was doing, I had a moment of quiet reflection about what the Fringe has meant to me over the years, and indeed how I was originally introduced to it by my Dad.
When we were children, Dad worked in a building society and was busy during August with things that building societies did (honest, trustworthy institutions that they were back in the ‘friendly society’ days). But he took time out to take us to the Edinburgh Military Tattoo. A very exciting experience for young children who were used to being tucked up in bed by 8 o’clock. The Edinburgh Military Tattoo was our first experience of outdoor events, spectacle, massed Pipe Bands and usually a scary centrepiece involving gun fire or speeding motor bikes. No matter that we had to be huddled under blankets and even carried back home sleepily afterwards – we’d had great fun, been thrilled and in awe, and even cried when the Lone Piper made us feel what it was to be Scottish.
Later, as we grew up, Dad would be involved in organising some special days out at the Edinburgh Festival Fringe for us. He loved the challenge of organising a day where we would start at 11.00 am and finish at 11.00 pm and have managed to cram in samples of many different types of entertainment in a day – he’d only have a whole day off every second Saturday, so it was really important to make the most of the day. So we’d start at a children’s show, have lunch with a cabaret or musical event going on round about, take in an exhibition or two if the schedule allowed, see a serious theatre piece in the afternoon, find time for tea somewhere swanky, or unusual, and then off to a Footlights performance or a revue type show and something more risqué in the late evening. We usually managed to cram in around 6 performances in the course of one of these days, and over the years we found our favourites. We’d always have ‘Instant Sunshine‘ (in the Miles Kington days) somewhere on the list, and either the Cambridge Footlights or Oxford Revue, a puppet show and the main exhibitions plus whatever The Scotsman reviews suggested was worth seeing. Was it easier to get tickets in those pre-information-revolution days?
After the rest of the family moved away from Edinburgh for various reasons, I stayed on and by this time was working and living in the city Centre. I’d loved the format of cramming so much into a day so much, that I started working it out for myself. Finding the weekends usually too busy, I’d take a weekday off in each of the three weeks of the Festival – with the bank holiday being a given, so only two more to take out of my annual leave. I continued the pattern of trying to fit around 6 shows in during a day, and of course doing it all ‘on foot’ as the centre of Edinburgh lends itself to that too. Having discovered the power of coloured marker pens and a big piece of paper for planning, I was in stationery heaven. As soon as I got my copy of the Programme, I’d pore over it, marking all the ‘would like to see’s’ and then adding them to a big list and working out how to fit in as many as I could. It seems on reflection that there were more ‘one week runs’ then, rather than shows being on for the duration, so you had to jiggle about sorting through the lists until you had something approaching a plan, and then of course you had to go to the ticket office in person, there being no ‘on-line’ ordering in those heady days.
So here I am in 2010, the Mum now. For the last few years I’ve been taking my own children to the Edinburgh Military Tattoo. They’ve had that late night excitement, and we’ve had our turn going to the pre-school, pre-reading ‘baby’ entertainments. We’re also past the stage where one of the children is ‘too young’ and the other ‘too old’ for the majority of the children’s entertainments. And we’re also excited by the range of things we might experience – all on our doorstep, all within a short bus ride or walking distance. We’ve got our Edinburgh Festival Fringe enthusiasm back – hurray! And with the advent of the Excel Spreadsheet, and on-line ordering, we did lots of planning, sorting and ticket buying from the comfort of our home. We can’t wait for the magic to begin.